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Showing posts from April, 2017

Old Masters Dominate Swann Galleries’ Spring Prints Auction

Link to images: https://www.dropbox.com/s/ppu0fnsafdbvuzi/2445-JDK.zip?dl=0 New York— On Tuesday, May 2, Swann Galleries will offer Old Master Through Modern Prints, with a prodigious selection of works completed before the nineteenth century. Martin Schongauer, A Censer, engraving, circa 1485. Estimate $120,000 to $180,000 The top lot of the sale is an astoundingly detailed engraving, A Censer , circa 1485, by Martin Schongauer.  Scholars believe that Schongauer made this intricate work for the sole purpose of showing off his technical virtuosity. Only two other impressions have been offered at auction in the last 75 years, and many of the 28 known impressions are in institutional collections. In excellent condition with no sign of wear, the present impression is valued at $120,000 to $180,000. Martin Schongauer, The Madonna and Child with an Apple, engraving circa 1475. Estimate $70,000 to $100,000. Schongauer is also represented in the sale by the circa 1475 engraving The Madonna a

Phillips Evening Sale of 20th Century & Contemporary Art on Thursday, 18 May Willem de Kooning’s Untitled II

Phillips is pleased to announce that Willem de Kooning’s Untitled II   will be offered as a highlight in the Evening Sale of 20th Century & Contemporary Art on Thursday, 18 May. A magnificent tour-de force of his painterly virtuosity, Untitled II is one of less than ten works created in 1980, an important turning point in de Kooning’s career. Estimated at $12-18 million, this work has never been offered at auction. Since its creation nearly four decades ago, it has been exhibited twice – once at London’s Royal Academy of Arts in 1981 and once at New York’s Gagosian Gallery, in their de Kooning retrospective of 2007. At 77x88 inches, Untitled II is an example of the largest of the three canvas sizes de Kooning used, reserved for his most ambitious projects. This painting is one of only a few paintings that he completed in 1980. The works from this period grew out of masterpieces from his highly acclaimed years of 1975-77. These bold, confident landscapes facilitated th

CAMILLE PISSARRO "LE PREMIER DES IMPRESSIONNISTES"

Marmottan Monet Museum 23 February to 2 July 2017 The Marmottan Monet Museum is presenting the first monographic exhibition of Camille Pissarro organized in Paris in nearly 40 years. Meticulously selected, 60 of his most stunning masterpieces — eight of which are being shown in France for the first time — hail from the greatest museums of the world and the most prestigious private collections. This remarkable ensemble of works tracks the trajectory of Pissarro’s life, from his youth in the Danish Antilles through his large series of urban tableaux featuring Paris, Rouen and Le Havre, all of which culminate to create a little-known portrait of the “first of the Impressionists.” At the start of the exhibition, a self-portrait of Camille Pissarro welcomes the visitor. Seven sections retrace his career and bring to light the originality of his oeuvre, demonstrating that, even as a young artist, Pissarro always distinguished himself from his contemporaries. His initiat

Heritage Auctions' American Art Signature Auction May 3

Heritage Auctions ' American Art Signature Auction May 3 will feature masterworks by trailblazers such as Thomas Moran, E. Irving Couse, Birger Sandzén and Norman Rockwell. Additionally, a significant selection of Early American Modernist works on paper from the collection of Dr. and Mrs. Henry and May Ann Gans will prove a true highlight for savvy collectors. WESTERN ART   Leading the sale is Thomas Moran' s Mountain Lion in Grand Canyon (Lair of the Mountain Lion) (est. $600,000-800,000). Previously owned by distinguished Western Art collector William Thomas Gilcrease, the painting's impeccable provenance further underscores its importance within Moran's oeuvre. Although Gilcrease donated the majority of his collection to his eponymous museum in Tulsa, he kept Mountain Lion in Grand Canyon for himself, ultimately gifting it to his daughter, Des Cygne. The painting has remained in the family of Des Cygne's husband, the late Corwin D. Denney, a Gilcrea

Sotheby’s Contemporary Art Evening Auction in New York on 18 May 2017

Sotheby’s Contemporary Art Evening Auction will be led by Jean-Michel Basquiat’s Untitled from 1982, a monumental masterpiece that has been virtually unseen since it last appeared on the market in May 1984. The landmark canvas is one of a number of iconic American post-war paintings in a sale that also features Roy Lichtenstein, Andy Warhol, Robert Rauschenberg and Cy Twombly, as well as European masters including David Hockney, Rudolf Stingel and Gerhard Richter. The work is estimated to fetch in excess of $60 million. Grégoire Billault, Head of Sotheby’s Contemporary Art Department in New York, commented: “It is an enormous pleasure to bring a Basquiat of this magnitude to the market. The scale, subject matter, date and freshness, combined with recent record prices and increased demand for the artist’s work, make May the ideal time to present a masterpiece of this caliber – a truly outstanding achievement of recent art history – to the market.” Jean-Michel Basquiat comp

A Hudson River School Legacy

New-York Historical Society March 24 – June 4, 2017 In 2015, the New-York Historical Society received a magnificent gift of 15 Hudson River School paintings from the collection of the late Arthur and Eileen Newman. These new acquisitions will be displayed together for the first time since they hung on the walls of the Newmans’ Manhattan apartment, alongside selected examples from New-York Historical’s longstanding collections. Inspired by the natural beauty of the Hudson River Valley region and the emotional intensity of the scenes captured by painters of the first self-consciously “American” school of art, Arthur and Eileen Newman acquired works by artists including Thomas Cole, Frederic Edwin Church, and Martin Johnson Heade. Collecting began as an avocation, for the couple’s personal pleasure and enrichment. But ultimately the Newmans’ sought to bring their private holdings to a public institution so that these gems of the Hudson River School could be shared with future