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Enduring Ideals: Rockwell, Roosevelt & the Four Freedoms Updated


New-York Historical Society New York, NY
June – August 2018

The Henry Ford Museum Dearborn, MI
October – December 2018

Venue announcement pending Washington, DC
February – April 2019

Norman Rockwell Museum Stockbridge, MA
June – August 2019

National Constitution Center Philadelphia, PA
October – December 2019

Museum of Fine Arts Houston, TX
February – April 2020

Mémorial de Caen Normandy, France
June – October 2020

Enduring Ideals: Rockwell, Roosevelt & the Four Freedoms is the first comprehensive
traveling exhibition devoted to Norman Rockwell’s iconic depictions of Franklin Delano
Roosevelt’s Four Freedoms: Freedom of Speech, Freedom of Worship, Freedom from Want,
and Freedom from Fear. It illuminates both the historic context in which FDR articulated
the Four Freedoms and the role of Rockwell’s paintings in bringing them to life for millions
of people, rallying the public behind the War effort and changing the tenor of the times.
In telling the story of how Rockwell’s works were transformed from a series of paintings
into a national movement, the exhibition also demonstrates the power of illustration to
communicate ideas and inspire change.

In addition to his celebrated paintings of the Four Freedoms, the exhibition brings together
numerous other examples of painting, illustration, and more, by both Rockwell and a broad
range of his contemporaries—from J.C. Leyendecker and Mead Schaeffer, to Ben Shahn,
Dorothea Lange, and Gordon Parks, among others—as well as historical documents,
photographs, videos, and artifacts; interactive digital displays; and immersive settings. While
exploring the response of an earlier generation to the plea for defense of universal freedoms,
the exhibition also resonates with our own time.

ORGANIZATION

Enduring Ideals: Rockwell, Roosevelt & the Four Freedoms and its international tour
are organized by the Norman Rockwell Museum, Stockbridge, MA. The exhibition is
co-curated by Stephanie Plunkett, Deputy Director/Chief Curator, Norman Rockwell
Museum, and James Kimble, Associate Professor of Communication, Seton Hall University.


  •  Freedom of Speech, Norman Rockwell. 1943. Oil on canvas, 45 ¾” x 35 ½” Story illustration for The Saturday Evening Post, February 20, 1943 From the permanent collection of Norman Rockwell Museum ©1943 SEPS: Licensed by Curtis Publishing, Indianapolis, IN


  • Freedom of Worship, Norman Rockwell. 1943. Oil on canvas, 46” x 35 ½” Story illustration for The Saturday Evening Post, February 27, 1943 From the permanent collection of Norman Rockwell Museum ©1943 SEPS: Licensed by Curtis Publishing, Indianapolis, IN



     Freedom from Fear, Norman Rockwell, 1943.; illustration for
    The Saturday Evening Post (c)SEPS, Curtis Licensing. Norman Rockwell Museum Collection




  • Freedom from Want, Norman Rockwell. 1943. Oil on canvas, 45 ¾ x 35 ½” Story illustration for The Saturday Evening Post, March 6, 1943 From the permanent collection of Norman Rockwell Museum ©1943 SEPS: Licensed by Curtis Publishing, Indianapolis, IN

The Problem We All Live With 
Norman Rockwell

Year1964
MediumOil on canvas
Dimensions91 cm × 150 cm (36 in × 58 in)
LocationNorman Rockwell Museum[1], Stockbridge, Massachusetts


“Enduring Ideals” is the first comprehensive traveling exhibition devoted to Mr. Rockwell’s depictions of Mr. Roosevelt’s Four Freedoms—freedom of speech, freedom of worship, freedom from want and freedom from fear—and is a rare opportunity to see these masterpieces together outside their permanent home in Stockbridge, Massachusetts.

The exhibition, organized by the Norman Rockwell Museum, takes visitors on a journey from Mr. Roosevelt’s speech to wartime paintings and posters to Mr. Rockwell’s poignant later artworks that addressed social issues such as civil rights and the Vietnam War.

The exhibition will continue to Memorial de Caen in Normandy, France, to coincide with the 75th anniversary of D-Day on June 6, 2019; the Museum of Fine Arts, Houston, in December; and the Norman Rockwell Museum in Stockbridge, Mass., in the fall of 2020.

The exhibition also includes works by contemporary artists offering fresh takes on freedom. Maurice “Pops” Peterson’s “Freedom from What?” depicts a modern day African American couple putting their children to bed while looking over their shoulders for possible threats from the outside world. Bri Hermanson’s “To Have and To Hold” shows two women in a loving embrace in a nod to marriage equality. Gary Bist’s painting “Refugee Families in Winter” reflects on the many refugees who risk their lives in pursuit of safety, security and freedom.

The exhibition comes to the museum through a collaboration with the Albert H. Small Center for National Capitol Area Studies, which is dedicated to research on Washington as a center of government and the values that informed its development.

“Freedom of speech and worship, freedom from fear and want are ideals as powerful today as they were for Americans who fought in World War II,” museum director John Wetenhall said. “At a time and in a federal city where the true meaning of these values has become contested in the world of partisan and identity politics, it behooves us all to reflect back to when these very freedoms were in peril – ideals so powerfully embodied in Rockwell’s unforgettable icons.”

https://www.nrm.org/wp2016/wp-content/uploads/2009/04/GoldenRule.jpg

Norman Rockwell (1894-1978), Golden Rule, 1961. Oil on canvas, 44 ½" x 39 ½". Cover illustration for The Saturday Evening Post, April 1, 1961. Collection of Norman Rockwell Museum.
©SEPS: Curtis Licensing, Indianapolis, IN. All rights reserved. www.curtislicensing.com

 

Dorothea Lange (1895-1965), Migrant Mother (Destitute pea pickers in California. Mother of seven children. Age 32. Nipomo, CA), February or March 1936.
Library of Congress, Prints & Photographs Division, FSA/OWI Collection, [LC-DIG-fsa-8b29516]

Catalogue 

 Enduring Ideals illuminates both the historic context in which FDR articulated the Four Freedoms—Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear—and the role of Rockwell’s paintings in bringing them to life for millions of people, rallying the public behind the War effort and changing the tenor of the times. In telling the story of how Rockwell’s works were transformed from a series of paintings into a national movement, the exhibition also demonstrates the power of illustration to communicate ideas and inspire change.

In addition to his celebrated paintings of the Four Freedoms, the exhibition brings together numerous other examples of painting, illustration, and more, by both Rockwell and a broad range of his contemporaries―from J.C. Leyendecker and Mead Schaeffer, to Ben Shahn, Dorothea Lange, and Gordon Parks, among others―as well as historical documents, photographs, videos, and artifacts; interactive digital displays; and immersive settings. While exploring the response of an earlier generation to the plea for defense of universal freedoms, the exhibition also resonates with our own time.

The catalogue features essays by exhibition co-curators Stephanie Haboush Plunkett and James Kimble, by Laurie Norton Moffat, Director of the Norman Rockwell Museum, and by other contributors, including activist Ruby Bridges, artist and granddaughter of Norman Rockwell, Daisy Rockwell, and Ambassador William vanden Heuvel.

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