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Max Beckmann, Bird’s Hell, Oil on canvas, 47 1/4 x 63 1/4 in. (1938, estimate on request) Max Beckmann’s Bird’s Hell (1938, estimate on request) will lead 20 th Century at Christie’s, a series of sales that take place from 17 to 30 June 2017, in the Impressionist & Modern Art Evening Sale on 27 June 2017, when it will be offered at auction for the first time. One of the most powerful paintings that Beckmann created while in exile in Amsterdam it presents a searing and unforgettable vision of hell and is poised to set a world record price for the artist at auction. Begun in Amsterdam and completed in Paris at the end of 1938, this work ranks amongst the clearest and most important anti-Nazi statements that the artist ever made, mirroring the escalating violence, oppression and terror of the National Socialist regime. The painting will be on view in New York until 17 of May, Hong Kong from 25 to

Opening on February 10, 2017, on the occasion of the eightieth anniversary of the Solomon R. Guggenheim Foundation, Visionaries: Creating a Modern Guggenheim features more than 170 modern objects from the permanent collections of the Solomon R. Guggenheim Museum, New York, and the Peggy Guggenheim Collection, Venice.  Assembling many of the foundation’s most iconic works along with treasures by artists less familiar, this celebratory exhibition explores avant-garde innovations of the late nineteenth through mid-twentieth centuries, as well as the groundbreaking activities of six pioneering arts patrons who brought to light some of the most significant artists of their day and established the Guggenheim Foundation’s identity as a forward- looking institution. Visionaries includes important works by artists such as Alexander Calder, Paul Cézanne, Marc Chagall, Vasily Kandinsky, Paul Klee, Fernand Léger, Piet Mondrian, Pablo Picasso, Jackson Pollock, and Vincent van Gogh.  More than a d

  Baltazar de Echave Ibía, San Pablo y San Antonio ermitaños, siglo XVII. Museo Nacional de Arte, Inba Adjudicación, 2000. The Museo Nacional de Arte (MUNAL, National Art Museum of Mexico) presents ‘Melancholy’, an exhibition that delves into the manner that melancholy, commonly characterized by reflecting the darkest human sides of passion and affection, is represented in Mexican art through a selection of 137 works of art including paintings, etchings, sculptures and writings. The exhibits can be visited through April 9th of July, 2017, in the rooms on the first floor of the site. Under the curatorship of Abraham Villavicencio Garcia, and comprised of the work of nearly 80 Mexican artists, this exposition reflects the way that human feelings are explained, interpreted and represented - revealing melancholy as a possible source for inspiration and artistic creativity. In Villavicencio’s words, “This exhibition seeks to exalt the emotional charges evoked in the works of important

Kunsthaus Zürich  10 February to 7 May 2017  Switzerland sees its first major exhibition devoted to the Berlin years of Ernst Ludwig Kirchner (1880–1938). The Kunsthaus Zürich has gathered together some 160 paintings, pastels, drawings, prints, sketchbooks and a selection of textiles, sculptures and photographs for a survey of Kirchner’s work in Germany’s bustling capital city and on the idyllic Baltic Sea island of Fehmarn. Between 1912 and 1914, these two contrasting places of inspiration marked the high point of Kirchner’s Expressionist oeuvre. The co-founder of theartists’ association ‘Brücke’, who is best known in Switzerland for his images of the ‘unspoilt’ mountain scenery around Davos, appears here in what, for Swiss audiences, is a less familiar, edgier guise. LOANS FROM BERLIN, SYDNEY, NEW YORK, MADRID . The Kunsthaus Zürich has teamed up with the renowned Brücke-Museum in Berlin to bring together works on loan from many continents in a dialectical exploration